Eddy was still listed as a solo act but would soon be credited as being backed by “The Rebels” with their debut being on Jamie 1111 “Cannon Ball” b/w Mason Dixon Line”. The entire label stable had easy access to appearing on American Bandstand and were often summoned with little notice when an act failed to show. A strict dress code dictated that the boys wore jackets and ties, and the girls wore skirts and blouses, or dresses. Today in our new blog post we hear from from Mickey (Bandstand) Cullen, a Regular from the #BobHorn days. He was disappointed with the records he had to play and yearned to cross over more towards Horn’s format. When cute young teenagers Arlene Sullivan and Kenny Rossi slow danced together on “American Bandstand” back in the late ’50s and … Did you know he helped launch The Oprah Winfrey Show? When the doors opened he carefully watched those entering into the studio and there they were – the Regulars were going to give Dick Clark a try. For more on friendship read Bandstand Diaries: www.bandstanddiaries.com #americanbandstand #bandstanddiaries #bestfriends #nostalgia #fashion #book #vintage, Here is Anna Russo Bonanni who was one of the last Regulars who danced on Philadelphia's American Bandstand in 1963. This was the norm for school dances in many parts of the country. Fan mail ran heavy for the regulars with thousands of pieces of mail arriving at the studio weekly. Then in the summer of 1956 Bob Horn fell from grace – hit with a drunk driven charge and was promptly dispatched. Smith recalls the closeting of American Bandstand’s LGBT youths. Dick Clark recalls how many time new dances would spring up on Bandstand that didn’t have an actual recording to go with it. Then, in September of 1963 the show went to a Saturday only format – broadcasting again for a full hour. Clark asked the couple what in the world they were doing to which they responded “The Twist!” as though he should have known. This was from 1969 until 1974. Change ), You are commenting using your Twitter account. When we think back on #AmericanBandstand, the #DickClark years usually to mind. American Bandstand was all about the kids and the dancing. Here he is pictured with Kenny Rossi. Full-time color TV broadcasts were in place by September, 1967. Same held true for Chubby Checker and Bobby Rydell. Clark’s own Swan Records would respond to this need with the release of Billy and Lillie’s “Luck Lady Bug”. Did you know after Bandstand he enlisted in the army and served with Elvis Presley in Texas? For more about your favorite dancers, read Bandstand Diaries. Bob and Justine won Bandstand’s first “jitterbug” contest, receiving over a million votes via the U.S. Mail. Casual, you are on vacation! Bob and Justine soon thereafter broke up making room for the next Bandstand couple of choice. American Bandstand. Colorado Music Venues: A thru Mammoth Gardens, Wayne Fontana & Mindbenders UK Discography, Beat-Era Rosters/Discography: E-Foundations, Jimi Hendrix Experience: U.S. Discography, Top 40 Stations – New Hampshire – North Dakota, Pop Bop Rock Honoree: Vicky Morosan/Band Box, Pop Bop Rock Honoree: Wax Trax/Stidman & Davis. Much was lost when the show began taping five episodes all on single Saturdays in 1963 to be shown during the week and allowing Dick Clark to turn his attention to other endeavors. An Elvis Presley fan, did you know she was the only Regular Dick Clark invited to go see Elvis at the Arena in 1956? They were a contrast in styles – with Bob and Justine reflecting the a raunchier edge associated with the early rock and roll days, and with Ken and Arlene displaying a softer look as rock and roll began to smooth out somewhat. Horn would open and close Clark’s radio show and then in-between host the televised version. and "occasion Doll". (I was fortunate to see Freddy Cannon twice – once at McNichol’s Arena in Denver and once on Dick Clark’s Caravan of Stars in Fresno, California – He was the opener for both concerts and really got the crowds going.). Throughout the rest of the 1950s, "American Bandstand" featured a number of famous acts including the debut of Paul Simon and Art Garfunkel (November 22, 1957), Jerry Lee Lewis (March 18, 1958), and Dion and the Belmonts (August 7, 1958). Dick Clark counted few performers on American Bandstand as “friends”. Girls had to wear skirts. After Bandstand, Charlette became an accountant and was a business manager. Sadly she passed away in 2013, but fans, fellow dancers, and family hold on to those fond memories. He told them and so they returned home to soon cut a new record. The rebel-like shouts and yells – and hand claps on the recording were performed by The Rivington’s of “Papa-Oom-Mow-Mow” and “The Bird’s The Word” fame. Canvas sneakers were just coming into fashion but weren’t in fashion for a dance. Some were told that they lacked a membership card, others that they did not meet the dress code, and others that the studio was full. They were readily available to appear on the show especially when a performer was quickly needed since they lived so close by. And today many would be into their early 80’s! Further, after performing they would usually exchange a few comments with Clark and then proceed directly to the autograph table and that was that. Did you know that when Dick Clark announced her Sweet 16 birthday party on air, it turned into mayhem when kids from all over Philadelphia showed up? During this same time period a very young Dick Clark was hosting the radio version of “Bandstand” also at the WFIL studios. Did you know they were best friends since the 1st grade? For more read Bandstand Diaries. They were not locals – Darin from New York and Francis from New Jersey. The "nostalgia" was okay; not many items displayed that would make a boomer go "Wow!". [xix] Between 1958 and 1963, the Philadelphia Tribune also published seven editorials or letters to the editor regarding American Bandstand’s exclusion of … He landed The Boenqee Cryque, and The Rainy Daze among others. Next up from 1974 until 1977 was Joe Porter’s “Bandstand Boogie” arrangement. By this time – the very first Philadelphia teenagers to appear on the local version of the show (1952)  had entered into their mid 50’s. www.bandstanddiaries.com #americanbandstand #bandstanddiaries #bobbiyoung #dickclark #elvispresley #television #nostalgia #book #author #coffeetablebook #philadelphia, Nino Bambino was invited to American Bandstand where he danced from 1956-1958 by Little Ro who became his girlfriend for three months. chum Holly. For more about your favorite dancers read Bandstand Diaries #americanbandstand #bandstanddiaries #dickclark #philadelphia, Painfully shy, Lenny Natale who danced on American Bandstand from 1955-1958 was introduced to the Regulars by Joe Fusco-his lifelong friend. She had idolized Arlene Sullivan when she was a Regular. The Diamonds would realize a smash success with “The Stroll” a dance which will be performed as long at the last baby boomer can hit the dance floor. This was Duane Eddy who was brought to the attention of Jamie Records by his producer – Lee Hazelwood. Dancing on American Bandstand American Bandstand. "Little Ro" danced from 1953-1958. When they started dancing on American Bandstand it would take them an hour to get to the studio by bus and train. Some were told that they lacked a membership card, others that they did not meet the dress code, and others that the studio was full. ... "The Live Entertainment Capitol of the World," boasts over 100 shows in fifty-two theaters including Dick Clark’s American Bandstand Theater. She met Elvis backstage before the show! Francis Thomas Avallone and Fabiano Anthony Forte attended the same Philadelphia high school along with Ernest Evans (Chubby Checker). See more ideas about american bandstand, american, dance. etc. By 1959 American Bandstand was being watched by 20 million fans nationally and millions more around the world. Johnny Preston's, "working bear" and "That'll be the Day" by employing chum Holly's Crickets. For more read Bandstand Diaries. When Tommy appeared, more than 1,500 showed up – larger than the teen population of the entire town. The Swing Dance Contest has been going on for about 4 weeks now and today we get to see the finalists all together for the first time. Dancing on American Bandstand For more about your favorite dancers, and life after Bandstand read Bandstand Diaries. Clark in his autobiography gives himself credit for suggesting the loud foot stomping beat in “Tallahassee Lassie” which put the record over the top and put Cannon on the road to fame. A guest act on Bandstand watched and asked Clark what they were doing. “Some were told that they lacked a membership card, others that they did not meet the dress code, and others that the studio was full.” 7. #americanbandstand #bandstanddiaries #philadelphia #television #nostalgia #book #author #coffeetablebook #lennynatale #kennyrossi, Here is Janet Hamill who danced on American Bandstand from 1957-1960. This is the link to the first part. #americanbandstand #bandstanddiaries #book #author #television #philadelphia #popculture #nostalgia, Although Joe Ahern was a Regular American Bandstand dancer from 1959-1961, his professional life took him out of Philadelphia later, managing television stations all over the world. “Did You Cry” stumbled but “Click Clack” managed to become the charting side. American Bandstand debuted nationally on August 5, 1957, from 3 to 4:30 p.m. across forty-eight of ABC’s affiliate stations (viewers in Philadelphia received an extra sixty minutes of Bandstand, as the program continued to broadcast locally from 2:30 to 3 and from 4:30 to 5:00 p.m.). Swan’s first signing was an artist calling himself “Dicky Doo” who was Gerry Granahan. For more about your favorite dancers, read Bandstand Diaries: www.bandstanddiaries.com #americanbandstand #bandstanddiaries #dickclark #book #philadelphia #nostalgia #telephone, Having started dancing on Bandstand during the Bob Horn days, did you know Rosemary "Little Ro" Fergione Siermine was 11 years old at the time? Featuring guest artists who lip-synced to their latest tunes, and a teenage audience whose members danced for the cameras, the show launched a conga line of dance crazes, fashion … When the TV program American Bandstand passed its 50 th anniversary, there was no commemoration. ( Log Out /  Ernest Evans recorded a near identical version of the song as Hank Ballard’s earlier effort and hit the big time – twice in fact – with “The Twist” going to number one in successive years, making it the only record ever during the rock and roll era to re-enter the charts and return to the number 1 position. What is the dress code? Selection of Committee members was determined by fan mail which would run heavy for certain couples on the show. "Jim Dandy" . 136 talking about this. Sorry, your blog cannot share posts by email. Finally in 1977 the show featured Barry Manilow’s rendition of “Bandstand Boogie” – a vocal version. The kids lined up for this dance to one of Chuck Willis’ recordings “C.C. Knee length dresses were the norm for women and button down plaid shirts for men’s casual wear. Clark also established a formal dress code, mandating dresses and skirts for the women and a coat and tie for the men. The rules and dress code were strict on American Bandstand. Post was not sent - check your email addresses! His first release was “Moovin’ n’ Groovin'” b/w “Up and Down”. I will take this presentation as far as I am able – toward and up-to-the-date when “American Bandstand” migrated to Los Angeles, California. The rules and dress code were strict on American Bandstand. While on the show he often danced with Susan Beltrante and Ivette Jimenez. On these he was thrown in with the performers for night after night – sharing a bus, motels and at first the indignities of performing in the South with mixed race musicians. Cameo Records was the beneficiary of many dance steps introduced on Bandstand – filling the need for a corresponding recording with releases from The Orlons (“The Wha Watusi” and “Crossfire”), Dee Dee Sharp (“Mashed Potatoes”), Bobby Rydell (“The Cha Cha Cha”), Chubby with (“Dance the Mess Around”, “The Fly”, “Limbo Rock”), Dee Dee Sharp (“Mashed Potato Time, “Ride”, and “Gravy”), and The Dovells (“The Bristol Stomp”, “Do the New Continental”, “Bristol Twistin’ Annie”, and “Hully Gully Baby”). Anna became close friends with Steve Lewis when she went on the show. For their effort they won a 200 record player jukebox. The show would start at 2:30 PM each afternoon Philadelphia time and so the students from nearby West Catholic High School would be the first to arrive since school let out at 2:30. Almost all would assume a place in life typical of most of us and they spread throughout the country far and wide. The popular, multi-decade American Bandstand showed white and black teens listening and enjoying music together during a time when it was socially frowned upon. 1 9 5 2 – 1 9 8 9 (USA) American Bandstand became a powerful symbol of American teenage culture with its nearly four-decade look at the ever-changing tastes of the country’s youth.. The “American Bandstand” dancers ended up living all across the United States and followed a variety of careers. He kindly wrote a piece about his American Bandstand experience: being on the show, the Regulars and Dick Clark. Dick Clark feels that perhaps the most popular of all the boys to appear on the show was Tommy DeNoble. Later, Ro bought Justine and Arlene onto the show as they lived in the same area. Change ). Starting up Swan Records in late 1957 was Clark’s second label partnership and would feature Freddy Cannon – a singer with limited range but who provided a whole lot of excitement. www.bandstanddiaries.com #americanbandstand #bandstanddiaries #nostalgia #philadelphia #book #author #coffeetablebook #popculture, From 1953 to 1959 Terry Schreffler danced on American Bandstand with Bob Horn and Dick Clark. He has remained friends with many Regulars. The programming for American Bandstand can get a little cloudy at times – Sources conflict at times – but here is a shot at the classic American teenager program. Bandstand Dress Codes The rules and dress code were strict on American Bandstand. Change ), You are commenting using your Google account. But perhaps the most impactful change that Clark made to the show was ending "American Bandstand's" all-white policy, allowing African American artists to … American Bandstand was broadcast every weekday through the summer of 1963. Cameo-Parkway was Philadelphia based and the label owners had close ties to Dick Clark. A daily dance show, Bandstand was the first national TV program directed at … In the beginning the West Catholic girls wore their school uniforms into Bandstand. The fiftieth Anniversary of **** Clark's American Bandstand Theater, in Branson Missouri improve into held final March 2007 American Bandstand’s Untold Story. Girls had to wear skirts. The biggest hit Broadway musical of 2002 is Hairspray, a fictional story about the racial integration of a teen dance program in television's early days. The break-through recording for Jamie Records was “Rebel-‘Rouser” released in 1958 and charting at #6 in June of 1958. Two couples who stood out from the “Regulars” were Bob Clayton with Justine Carrelli who became a “couple” on the show in the late 1950’s at the age of 14. etc. American Bandstand originated in Philadelphia in the early 1950’s as a local dance program, then catapulted to national prominence in August, 1957. Change ), You are commenting using your Facebook account. www.bandstanddiaries.com #americanbandstand #bandstanddiaries #nostalgia #book #author #philadelphia, Charlette Russo danced on American Bandstand from 1955-1959. One member of “The Don’ts” was former Rhythm Orchid Dave Alldred from that band which featured also Jimmy Bowen and Buddy Knox. For more, read our book: www.bandstanddiaries.com #americanbandstand #bandstanddiaries #nostalgia #philadelphia #elvispresley #ninobambino #book #author #selfpublished #popculture #television, On American Bandstand from 1955-1958, Frank Spagnuola won the Chalypso Contest with Dottie Horner in 1957, the first year the show went national. In 1957 Dick Clark became one-fourth owner of Jamie Records. American Bandstand (1952-89) was a massively popular music television program with strong Philadelphia roots, storied national success, and the power to shape the music industry and society. American Bandstand became a powerful symbol of American teenage culture with its nearly four-decade look at the ever-changing tastes of the country's youth. A good example was a dance the Philadelphia kids were doing which would become known as the “the stroll”. Authentic 70's Band T shirt, American BandStand XL Tee, Screen Star Tag Tee, Upcycled 100 Cotton White, TV Graphic shirt, Rock n Roll Tee WaitingForHarry 5 out of 5 stars (115) His 90-minute daily “American Bandstand” featured clean-cut teenagers dancing to records and Clark schmoozing with the audience. Note that the guys were all wearing sports coats and dress shoes. As for the origins of the dances that American Bandstand’swhite dancers introduced to the nation’s teens, the …
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