Combine both the ultimate in sharpness with spectacular bokeh, this Sony FE 70-200mm f/2.8 GM lens is an excellent lens without doubt. 'http':'https';if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=p+'://platform.twitter.com/widgets.js';fjs.parentNode.insertBefore(js,fjs);}}(document, 'script', 'twitter-wjs'); Using the links below to make any purchase will support this site, and we'll give you more latest camera & lens news, rumors and deals. For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of field, and color rendition. This premium lens delivers superlative image quality, and dust/moisture resistance means consistently reliable performance. Sony FE 24-70mm f/2.8 GM Lens ($2,198): The best 24-70mm lens! Though the Canon EOS R didn’t fare too well in this Sony vs Canon comparison, the EOS R is quite adequate for most people’s needs. Whichever you choose, keep in mind that Sony has been focused on these smaller systems for longer than Canon and they have optimized their camera bodies, buttons, menus, and focused on a feature-set that appeals to pros and other consumers alike. True macro design affords a life-size, 1:1 magnification ratio along with a 6.3″ minimum focusing distance for working with close-up subjects. At most ISO values the performance of the EOS R6 trails that of a camera like the Sony a7III but ever-so-slightly bests the Nikon Z6 (according to Photons to … Sure, the Sony camera’s battery capacity is more than 22% bigger, but another couple of factors play into this. It is an absolute must for wide-angle fans who try manual focus often and want to capture even the tiniest details of a special moment in a photo or on film. Rokinon AF 50mm f/1.4 FE Lens ($699): Designed specifically for Sony full frame E-mount cameras, this new high speed prime combines advanced optical technology with a fast, quiet and precise auto focus system. Despite its compactness, the super wide-angle Zeiss Loxia 21mm f/2.8 Lens offers outstanding image performance – and it is extremely sharp all the way to the corners. All lenses attached to the a7 iii will produce stabilized images with up to 5-stops of stabilization – this is a great feature for a full frame camera to have – check out our Sony a7III lens reviews for more info. The Canon EOS R is a very capable camera that also receives rave reviews. Bright f/2 maximum aperture benefits working in low-light conditions and also offers control over the focus position when using selective focus or shallow depth of field techniques. A bright f/2.8 maximum aperture is useful for working in a variety of lighting conditions and the minimum f/32 aperture helps to attain a long depth of field when working with close-up subjects. Canon doesn’t have it and Sony’s a7 iii does. Rokinon AF 14mm f/2.8 FE ($849): An excellent performer! Doing this with the Canon EOS R you’ll get 1,920 images and with the Sony, you’ll get 2,400 – that’s 480 more images! Canon’s EOS R full frame camera uses the LP-E6N lithium-ion battery which puts out 1865mAh and is good for 310 shots on a single charge. Distinguished by its constant f/2.8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions. Sony FE 90mm f/2.8 Macro G OSS ($1,098): Perfect macro lens for Sony a7 III! Apparently, the bigger and more detailed LCD touch screen and viewfinder on the Canon deplete the battery far faster than on the Sony camera. It’s pretty much the same as the 5D Mark IV, which is a shame really since we were all expecting a lot more. Be it for a portrait or a street or landscape shot, this inconspicuous lens is great for helping you master these photographic disciplines. You have to feel a little sorry for the Canon EOS R in this department – the autofocus isn’t bad, per se, but it isn’t wow-inducing either. The ability to switch from wide angle to telephoto without having to change lenses also means that more of those fleeting moments that make great shots will be captured. In contrast, Sony oversamples 6K capture and downsamples to get 4K video at 24p and from 5K resolution with a 1.2x crop to give you 4K video at 30p. Battery life is a feature you either care intensely about, or you don’t care at all and you just buy more batteries! One of the most interesting moments of buying a mirrorless full-frame or any camera is what happens when you put your eye to the viewfinder for the first time. Results show autofocus accuracy typically suffers using these adapters and lenses and shows manual focusing works much better than using autofocus. To maximize usability this lens also features a dust/moisture resistant design, AF/MF switch, circular aperture, Nano AR coating, compact, a direct drive SSM (Super Sonic wave Motor) focusing system that is super smooth and quiet, making it an ideal choice for shooting both still images as well as movies. Sony FE 70-200mm f/2.8 GM OSS ($2,598): Pro-grade image quality and build. Blending an ultra-wide angle of view with a relatively fast f/2.8 aperture, this 14mm lens makes a great option for Sony shooters looking to get a unique perspective that is well suited to architecture, landscapes, and more. 20mm F/2.8 Di III OSD M1:2（Model F050） 24mm F/2.8 Di III OSD M1:2（Model F051） 35mm F/2.8 Di III OSD M1:2（Model F053) 70-180mm F/2.8 Di III VXD (Model A056) Canon LAOWA Nikon Samyang Sigma Sigma MC-11 Sony a7RIV Sony FE 70-200mm f/2.8 Sony FE 70-200mm f/2.8 GM OSS Sony FE 70-200mm f/2.8 GM OSS G Master lens Sony … The R6 is built around a variant of the 20MP sensor originally seen in the EOS-1D X III. Best Macro Lenses for Sony a7 III. Superior video capability, longer battery life and inbuilt image stabilization put the Sony a7 III in the lead. Or, if you shoot a lot of landscapes and want the best sharpness, like using more compact lenses and the old-fashioned zone focusing (Manual Focus) and the feeling of a mechanical focus ring, then go to Zeiss Loxia 21mm f/2.8. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. Snappy autofocus which locks on to your subject and doesn’t let go is an essential feature, particularly on these high-spec camera models designed for professional use. It’s an exceptionally powerful photographic tool for a variety of enthusiast and professional shooters, in particular those that are commonly shooting sports or wildlife. Other positives include exceptional 4K video resolution and use of the sensor’s full-frame capture to downsample, resulting in super-crisp 4K video resolution which is more than adequate for professional use. Both Canon and Sony are fierce competitors. Sony FE 85mm f/1.4 GM ($1,798): The top FE portrait lens! With outstanding imaging capability and high-speed performance contained in a compact body, the Sony a7 III (Amazon, B&H, Adorama) mirrorless camera gives you the power, precision, and flexibility to capture once-in-a-lifetime moments just as you like. Together with Optical SteadyShot image stabilization, ensures beautiful high-resolution results for both still and video shooting. Ideal for architecture, landscape, and interior photography, this lens’ 82° angle of view pairs with a 7.9″ minimum focusing distance for producing creative perspectives and unique close-up imagery. Rokinon 100mm f/2.8 Macro ($549): Featuring a macro design, this Rokinon 100mm f/2.8 Macro lens affords a 1:1 maximum magnification ratio along with a minimum focusing distance of 1′. Here are the top recommended Sony a7 III lenses. Rokinon AF 35mm f/1.4 FE ($799): The new ROKINON 35mm F1.4 AF Full Frame lens for Sony E is designed to appeal to enthusiasts and professionals who are ready to take the next step up in wide angle photography where outstanding image clarity, contrast, color fidelity, high corner to corner resolution are priority. Sony released the A7R IV (earlier) and announced the A7S III, Canon has the R5 and R6 now, Nikon will be announcing their second … Tamron 28-200mm f/2.8-5.6 Di III RXD (New), Sony Zeiss FE 16-35mm f/4 ZA OSS ($1,348), Sony Zeiss FE 35mm f/1.4 Distagon T* ($1,598), Sony Zeiss FE 50mm f/1.4 Planar T* ($1,498), Sony Zeiss FE 55mm f/1.8 Sonnar T* ($998), Sony FE 70-300mm f/4.5-5.6 G OSS ($1,198), Sony FE 100-400mm f/4.5-5.6 GM OSS ($2,498), Sony FE 16-35mm f/2.8 GM and FE 12-24mm f/4 G Lenses Announced, Zeiss Loxia 85mm f/2.4 & Rokinon 35mm f/1.2 Lenses Available for Pre-order, List of Upcoming FE Lenses from Sony, Zeiss, Sigma and Samyang. There’s more to know, a lot more to know in order to come to a reasonable conclusion about which system is better for your needs. The Canon EOS R was Canon’s first foray into full frame mirrorless cameras. The Canon EOS R isn’t a bad full-frame mirrorless camera, it’s just unfortunate that it is going up against a great camera, the Sony a7 iii in this review! Perfect macro lens for Sony A7 series mirrorless cameras. Reminder: There are many comparisons of Zeiss Batis 18mm f/2.8 vs Zeiss Loxia 21mm f/2.8…Our suggestion is: if you love the convenience of autofocus, and you often shoot astro-photography, architecture (outdoor and indoor), or shoot in rough weather conditions, then go to the Zeiss Batis 18mm f/2.8. Any camera without one necessitates the purchase of a third-party screen or another cumbersome camera accessory which adds to your shopping list. Below are the top recommended lenses for Sony a7 III mirrorless camera based on high image quality, good price and usefulness, including leading prime and zoom options from wide-angle to telephoto. Full List of Recommended Sony a7 III Lenses, Portrait Prime Lenses | Macro Lenses | Wide-angle Prime | Ultra Wide Angle Prime | Wide-angle Zoom | Standard Prime | Standard Zoom | Telephoto Prime | Telephoto Zoom | Super Telephoto Zoom | All-in-One Lens | Lens Optimized for Video | Zeiss Loxia Manual Focus Lenses | Samyang/Rokinon AF Lenses | Samyang/Rokinon Manual Focus Lenses. A compact, lightweight design makes it manageable for active shooting. Yes, some videographers will always choose to use a camera gimbal over any in-camera stabilization, but shooting at 1/15th of a second hand-held with no external stabilizer is a wonderful experience! Overall, it’s another win to Canon in the ergonomics/handling department though. Described by Sony as "the basic model," the camera shares many features with the high-end Sony α7R III and α9 models.. Wikimedia Commons has media related to Sony … Sony FE 24-105mm f/4 G OSS ($1,298): Ideal Travel and Walkaround Lens for Sony a7 III. A quick check online found that Dxomark rated the Sony a7 iii better than the Canon EOS R in dynamic range, tonal range, color sensitivity, color depth, and low-light ISO. The bright F1.4 maximum aperture offers excellent low light performance and adds to the 11-blade aperture and aspheric elements for gorgeous bokeh. Do keep in mind that lenses are often not weather-sealed and can let in air, dust, and water thereby undermining the ability of the Canon body to stay dry inside. From an image quality standpoint, the Sony Zeiss FE 55mm f/1.8 is surprisingly impressive. Its maximum aperture of f/2.8 is effective when shooting in low light and allows for shallow depth-of-field focus. (If you need to delve deeper, check out our full Sony a7iii Review and Canon EOS R Review. A comparison of RAW files shows both systems can record scenes in intricate detail and can be easily enhanced in post-processing to very high standards, resulting in professional quality images. If you also shoot video, this Sony a7 iii is the reasonably priced system for you! If your video needs are not professional quality and you can live with the 1.8x crop factor, and poor rolling-shutter results then yes, you can get good but not great video for the web from your Canon EOS R. Yes, the Canon body is weather-sealed (environmentally sealed) and can resist light rain and humid conditions to some degree. Please hold on, don’t rush out the door to the store, just take a breath and steady yourself – you’ll thank me in a few minutes! Characterized as an apochromat, the Sonnar optical design helps to virtually eliminate chromatic aberrations and color fringing, and also benefits overall sharpness and clarity. The Samyang/Rokinon E-Mount Manual Focus lenses offer good optical performance with affordable price. Aperture ring designed for still or movie shooting, Corner to corner sharpness w/Advanced Spherical elements. The products in this post may contain affiliate links. You may like the Canon menu system, as we prefer the Nikon style over Canon in our DSLR system. All the adjustments you’ve made in-camera to color, white balance, contrast, distortion, highlights, and shadows are seen live just as in the final photo. Perfect lens for portrait photography, and it is actually ideal for a wide variety of subjects! Sony FE 24-70mm f/4 ZA OSS ($1,198): If you can’t afford the FE 24-70mm f/2.8 GM lens, the FE 24-70mm f/4 ZA OSS lens will be a great choice for you! If you want to get the best sharpness, like using more compact lenses, star flares and old-fashioned zone focusing and the feeling of a mechanical focus ring, the Zeiss Loxia lenses are great choices for you. Shop for Digital SLRs, Compact System Cameras, Point-and-Shoots, Camcorders, Lenses, and Accessories from Canon, Nikon, Sony… Canon doesn't specify the difference but there's noticeably no mention of the R6 using the expensive '16-point' anti-aliasing filter from the flagship camera, which is a likely distinction (we'd expect the R6's AA filter to be the … However, when purchasing a new full frame camera body, it’s important to look at the price of peripheral products too – most notably, the cost of lenses. Sony FE 50mm f/2.8 Macro Lens ($498): The new FE 50mm F2.8 Macro lens features an ED (Extra-low Dispersion) glass to effectively compensate for axial chromatic aberration at close focus, allowing it to create consistently sharp and high quality images. But wait, don’t run out and buy the Canon yet! The gap between Canon and Nikon/Sony (a bit of shared sensor technology there) used to be quite wide, but in the recent years Canon has managed to close that gap. Canon’s EOS R has significant issues with rolling shutter – a real emphasis on slow panning is necessary while shooting. And it’s an okay solution for those on a budget. The Sony camera obviously doesn’t have the wow-factor and the quality of the viewfinder isn’t good enough to make you reach into your pocket to grab two thousand dollars cash to pay for it until you really evaluate whether it is the best camera for your money. Follow @CameraTimes !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0],p=/^http:/.test(d.location)? Close competition in mirrorless full-frame cameras is great news for buyers because each brand is competing with others for market share so manufacturers are jamming incredible technology into each iteration. Mirrorless vs.DSLR COMPACT CAMERA and LENS The Sony a7III with the compact but fast Laowa Venus Optics 15mm f/2 lens. The Sony a7 iii body is smaller and lighter than the Canon EOS R, which will please those who prefer a more compact system for daily use or travel, that still offers the power and flexibility of a full frame sensor. A long focal length lens with close focusing abilities and a high magnification ratio, this macro lens is ideal for making close-up, detailed images of nearby subjects. For now, let’s see if Canon or the Sony full-frame mirrorless system emerge victorious in this comparison. The Sony a7 iii and the Canon EOS R both have articulating rear LCD touch screens, but the differences between them are considerable. We’ll highlight the crucial differences for you below to help you make your decision much easier! If you want a faster wide-angle lens, try the Sony FE 16-35mm f/2.8 GM lens. The very large field angle of this super wide-angle lens is perfect for creative shots with unusual perspectives. UMC anti-reactive coatings, three Aspherical and two ED lens elements combine to attenuate chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity with high resolution from the center to the corners of the image. Zeiss Batis 135mm f/2.8 ($1,999): This Zeiss Batis 135mm f/2.8 mid-length telephoto prime lens is ideal for portraiture, weddings and travel photography. Canon is doing something similar with its own set of firmware updates, but we can’t help feeling that they have a lot of catching up to do. While we are in the latter camp, it can cost hundreds of dollars more to outfit one camera vs the other and most people do care. Built-in Optical SteadyShot image stabilization minimizes blur that can occur during low light or macro shooting. It features a very fast and bright f/1.8 maximum aperture to support working in dimly-lit conditions and for greater control over focus for shallow depth of field imagery. All in all, it is reasonably priced and the ultimate choice in convenience. Well, the R's closest competitors at the time (from Sony and NIkon) were the Z6 and A7III even though price is quite different for both (the Sony and Nikon were close in price). An internal focus system in which only the middle optical groups move when focusing provides fast autofocus action and a short minimum focus distance of 11″. And it has smaller size and lower price than the Sony 50mm f/1.4. Shooting up close at F2.8 can produce some extraordinary background bokeh. If you’re a professional, you’ll opt for the Sony, if not, you might be swayed by Canon’s attention to detail in the LCD screen and viewfinder – both of which are better than Sony’s a7 iii. How a camera feels in your hands is rather subjective, and a lot of it comes down to the size of your hands and what you’re used to using in the past. G-series optical design ideal for HD and 4K moviemaking. The Sony a7 iii is still our favourite when it comes to comparing it to the EOS R. The Sony is a well-made camera which has persuaded many photographers to drop their DSLR systems for the smaller mirrorless full-frame format. If the Sony was all you had to look at, you’d eventually agree that the viewfinder was functional and satisfactory. Sony FE 12-24mm f/4 G ($1,698): Sony’s widest full-frame E-mount lens. In addition, the Sony FE 1.4x & FE 2.0x Teleconverters ($548) are specially designed for the Sony FE 70-200mm F2.8 GM & Sony FE 100-400mm f/4.5-5.6 GM OSS Lenses. If you work in the sports or wildlife photography industry, you might be familiar with the phrase, ‘spray and pray.’ Holding the shutter down and shooting hundreds of photos per minute can yield great shots that you wouldn’t get otherwise. Sony FE PZ 28-135mm f/4 G OSS ($2,498): Designed to satisfy 4K production requirements, the Sony FE PZ 28-135mm f/4 G OSS Lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame a7 cameras. If you’re not concerned so much about video quality, either camera will produce decent results from their full frame sensors. Zeiss Loxia 85mm f/2.4 ($1,399): An ideal portrait-length lens characterized by its sleek form factor and impressive optical qualities. Designed as the ultimate portrait lens, the new Sony FE 85mm F1.4 GM telephoto prime lens strikes a perfect balance between resolution and bokeh in a compact package. That’s comforting to see live in such crystal clear detail! Though the EOS R and a7iii are not the latest touchscreen mirrorless cameras released – they are plenty powerful and closely matched on most technical features. However, as you’ll have seen in this Canon EOS R vs Sony a7iii comparison, the Sony does offer more for the money, so it’d be unfair to simply say that as the Canon is simply cheaper, it’s a better choice. Sony FE 90mm f/2.8 Macro G OSS ($1,098): Perfect macro lens for Sony a7R III! The optical and mechanical construction of the lens has less glare and ghosting, even without a lens hood. For everyone from landscape professionals to those who want to just dabble in wide-angle photography, this Sony Zeiss FE 16-35mm f/4 is one of best FE-mount lenses: impressive sharpness, fast focusing, reasonable levels of distortion, and a weather-sealed build for protection from the elements. The fast f/1.4 maximum aperture provides very effective low light capability and shallow depth of field control. One small difference between these two cameras is the drive speed (frame rate) is slightly different. Sony Zeiss FE 35mm f/1.4 Distagon T* ($1,598): Fast, sharp, and loaded with the latest technology, the FE 35mm f/1.4 ZA offers outstanding optical performance in a versatile 35mm focal length. The Sony α7 III (model ILCE-7M3) is a Full-frame mirrorless interchangeable-lens camera manufactured by Sony. Zeiss Loxia 21mm f/2.8 ($1,499): Excellent Manual Focus Wide Angle Prime Lens! Additionally, a T* anti-reflective coating has been applied that suppresses lens flare and ghosting when working in strong lighting conditions. Great quality and a much better price than the native lenses. It is an excellent choice for landscapes and architecture, and is compact, lightweight, and mobile so it can go wherever the great shots are without slowing you down. Rokinon 12mm f/2.8 ED AS IF NCS UMC Fisheye. Another point worth mentioning is that the a7 iii has little rolling shutter problems except when it comes to fast movements, which all digital cameras have trouble with. The cameras are quite similar both in terms of their ergonomics and features, with the Sony A7 III being my least … Getting very wide landscape shots for your EOS R video is going to necessitate wider lenses – which means spending more money! Sony FE 16-35mm f/2.8 GM ($2,198): Amazing fast and flexible wide-angle zoom lens! UMC anti-reflective coatings and three aspherical lens elements combine to limit chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity. Sony FE 24-240mm f/3.5-6.3 OSS ($998): The ultimate in convenience. Really Right Stuff L-Plate Set for Sony a9/a7III/a7RIII ($200 at B&H Photo) Really Right Stuff L-Plate Set for VG-C3EM Vertical Grip for Sony a9/a7III/a7RIII ($205 at B&H Photo) Really Right Stuff is the ‘gold standard” of camera plates and L Brackets. Canon’s 3.2″ LCD with 2,100,000 DPI blows Sony’s screen away in size and resolution, and it doesn’t stop there. Its maximum aperture of f/2.8 is effective when shooting in low light and allows for shallow depth-of-field focus. Sony is on top of the mirrorless world at the moment and it doesn’t look like there will be anyone to contend with them seriously for the next couple of years. efined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. The Sony a7 iii on the other hand is another story entirely. Not that much has changed in two years and it is still a reliable workhorse with excellent speed in low-light for sports, has exceptional autofocus, and a wide dynamic range for landscapes. Canon EOS R6 vs Nikon Z6 II vs Panasonic S1 vs Sony A7 III: Summary As you can see, each camera and camera system has its pros and cons, and it is hard to pick an absolute winner. Well-suited to interior, architectural, and astrophotography applications, the Batis 18mm f/2.8 blends its extremely wide 99° angle of view with a high degree of functionality and it is extremely sharp all the way to the corners. Sony has long been the leader in the autofocus stakes, and with the a7 iii’s incredibly Eye-af and real time tracking, the cross hair in your viewfinder is pretty much glued to your subject’s eye in a millisecond… and doesn’t let go until you take the shot. With Canon and Sony, there’s not a whole lot of difference in the price of lenses across the board, but one big thing in Canon’s favour is the wide range of lenses available – Canon offers several ‘budget’ lenses, (including a nifty-fifty for under $100), but Sony’s most affordable full frame lens costs twice this. OK, I know, two wins for the Canon already. The lens is also dust and moisture resistant. If you want a less expensive 85mm lens, try the Zeiss Batis 85mm f/1.8. The grip on the Canon is also deeper, which equates to a more comfortable and safe grip on your camera body, especially when using longer (and heavier) lenses. Ideal for Photojournalists, sports and wedding photographers, it covers portrait-length to telephoto perspectives and it is sharp, focuses quickly, has minimal distortion. Having used fully-articulating LCD touch screens over the past six years, we’ve grown fond of them! Sony has improved its autofocus speed as well and claims a nearly 2x speed increase over the previous a7 ii model. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. Yes, you can use Canon lenses on the Sony a7 series mirrorless with an adapter. The Canon has a fully-articulating screen giving you hundreds of angles to compose your shots from, and even offering a full 180° forward-facing option ideal for selfie photography and vlogging – while Sony’s a7 iii offers only the tilting screen option popular on so many digital cameras these days. This lens also features fast, precise and quiet autofocus capabilities in both still and video shooting, making it an ideal complement for versatile shooting such as landscape, portrait, wedding and so on. The bright F1.4 maximum aperture takes the stress out of working in difficult lighting conditions, and provides shallow depth of field for greater point of focus control, while the circular 9-blade diaphragm delivers pleasing bokeh at all settings. Sony FE 16-35mm f/2.8 GM & FE 135mm GM Lenses Coming Soon! Though the Canon EOS R didn’t fare too well in this Sony vs Canon comparison, the EOS R is quite adequate for most people’s needs. Thank you so much! As with Sony’s other popular Alpha 7 and 9 series cameras, the new Alpha 7III is a full-frame mirrorless camera, a class of camera Canon and Nikon have yet to offer, though models … Sony’s a7 iii cranks out 2280mAh which they rate as good for 710 shots per charge. OK, so if I had a chance to grab a Canon EOS 5D Mark IV for $1200-1300 (they seem to be abundant and some with low-ish shutter counts) with a budget of another $1200 for glass appropriate for a couple weddings and some portrait shoots, what mirrorless would you recommend instead as a better … The Sony FE 24-70mm F2.8 GM Zoom Lens is the ultimate choice for those seeking the highest possible optical performance for portrait, travel and event photography or even simple everyday shooting. If you’ve had a Sony mirrorless before, you’ll probably find the a7 iii’s 3″ touch screen with 921,600 DPI to be satisfactory, and you may even think it’s fantastic – that is until you see Canon’s rear LCD! Class-leading size and weight reductions have been achieved while maintaining outstanding optical performance. Characterized by both its fast f/2.8 maximum aperture and inclusion of OSS (Optical SteadyShot) image stabilization, this lens is ideally-suited for handheld shooting of distant and fast-moving subjects. If you’re shooting for three hours each day over a weekend, you might spray and pray 80 times for 3-seconds at a time. Currently, the Canon EOS R is around $200 cheaper than the Sony a7 iii (check the latest prices by clicking on any of the links in this guide). Sony FE 100-400mm f/4.5-5.6 GM OSS ($2,498): Highly recommended! Sony FE 90mm f/2.8 Macro G OSS ($1,098): Perfect macro lens for Sony a7 III!For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of field, and color rendition. It is as sharp as the f/2.8 version for less than half the cost, but not great when natural light is low. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. Sony’s video resolution is professional-grade and levels above Canon’s video results. You can choose the one you need! For comparisons, there’s our Sony a7ii vs a7 iii comparison and a detailed Nikon Z6 vs Sony a7 III one too.). Whether architecture, landscape or also three-dimensional subjects in close-up against a spacious background – this focal length with its large image angle is an excellent addition to the Loxia lens family. Very popular! A full-frame 24mm to 240mm zoom range allows this lens to cover an extensive variety of shooting situations with 10x effective zoom range, making it ideal for landscape, snapshots, portraits and travel where reducing luggage is a priority. Sony Zeiss FE 55mm f/1.8 Sonnar T* ($998): One of the sharpest lenses ever! The Canon EOS R has a higher resolution 30.3mp full frame CMOS sensor (36x24mm) with DIGIC 8 processor which is the same size as Sony’s a7 iii 24.2mp full-frame Exmor R CMOS sensor (35.6×23.8mm) with BIONZ X processor. For professional portrait photographers and those who want the very highest in quality, the new Sony FE 85mm f/1.4 GM Lens is the lens you must need and you won’t find a better FE-mount lens!
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